Academic

My academic work engages with computer-assisted orchestration, the semiosis of timbre, electronic music and unplugged electronics, and — more broadly — with articulating a coherent, contemporary discourse on timbre and orchestration.


Doctoral research

Currently engaged in the SACRe doctoral programme (CNSMDP · ENS-PSL, Paris), in partnership with the Haute École de Musique de Genève (HEM/HES-SO). My thesis develops the concept of Expansive Orchestration, where the entire orchestral fabric derives from a single element.

Thesis presentation (SACRe)  ↗ PDF


Publications

  • 2026

    Garcia-Vitoria, M. Unplugged Electronics and Expansive Orchestration for a New Guitar Concerto. Proceedings of Timbre 2026, 4th International Conference on Timbre, Montréal, 322–325. ↗ pdf

  • 2026

    Garcia-Vitoria, M. & Vicalet, P. From metaphor to spectrum: hybridizing orchestration and electroacoustic pedagogy in higher music education. HarMArchive. ↗ link

  • 2026

    Garcia-Vitoria, M. Triptyque du Cri. L’impact psychoacoustique du timbre comme matière de composition. Revue musicale OICRM, 13(1), 111–136. ↗ link

  • 2025

    Garcia-Vitoria, M. Expansive orchestration as a teaching resource. HarMA Seminar — 4th Edition, 14–17. ↗ link

  • 2012

    Carpentier, G., Daubresse, E., Garcia-Vitoria, M., Sakai, K. & Villanueva, F. Automatic orchestration in practice. Computer Music Journal, 36(3), 24–42. ↗ doi

ORCID  0009-0006-5417-8340


Conferences & talks

  • 2026

    Computer-Aided Orchestration Strategies for using Timbre as a Vector of Form in Triptyque du cri and Guitar Concerto. EuroMAC 11, 11th European Music Analysis Conference, ESMUC, Barcelona, 7–10 September 2026.

  • 2026

    Timbre-geste et orchestration expansive dans Fury et Fury II de Rebecca Saunders. Journée d’étude « Timbre et Orchestration », Sorbonne Université — IReMus, Paris, 27 May 2026.


Teaching

  • 2018 — 2024
    Conservatori Superior de Música Joaquín Rodrigo, València
    Composition & orchestration. Head of the composition, voice, conducting and sonology department (2020–2024).
  • 2016 — 2018
    Conservatorio Superior de Música Óscar Esplá, Alicante
    Contemporary music.
  • 2011 — 2016
    Haute École de Musique de Genève
    Counterpoint (2015–2016). Composition assistant (2011–2015).
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